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You’ll probably want to create one all-encompassing tracking template that covers most situations you’ll face. In fact, since tracking is often done in (expensive) commercial studios and artists don’t want to be slowed down by technical considerations, a time-saving, vibe-stimulating tracking template can be invaluable. Recording templates are just as valuable as mixing templates, especially if you track in your own studio. ![]() “Templates are… Good… Great ” Recording template The speed is impressive (and profitable) but more importantly, Billy’s templates speed up the setup time and allow him to spend his time on balances and the feel of the song. As a bonus, he can mix a few songs each day. Does the fact that he uses an extremely strict template hinder his work or his creativity? Clearly not. This gentleman of mixing has an amazing portfolio his mixes are alive, they’re exciting, they’re dynamic, they’re modern, and they emphasize what’s cool in every song he’s mixing. Billy is very strict about his track layout, plugin selection, and in certain cases, even having the waveforms be of a certain height is essential to his sound and workflow. Our friend and superstar mixer Billy Decker recently published a book called “Template Mixing and Mastering” in which he delves deep into his universal mixing template and his thought process. #Slate virtual mix rack settings could not be saved how toWhile this article is specific to tracking in REAPER, take a look at our previous article on how to effectively use templates in every situation. Templates speed up the workflow for tracking, mixing, and even songwriting. And why not have your favorite delay or reverb plugins ready to go all the time, so you don’t have to worry about setting them up for every new session? The same goes for any of your routing preferences, including parallel processing or drum trigger setups. What’s the point of re-creating the same session over and over again? Surely, having tracks in the same order and labeled and colored the same in every session makes it much easier to keep track of what’s going on. If anything, using templates allows you to be even more creative by making your tools available to you for when inspiration strikes. My opinion is that they couldn’t be more wrong. Using the same reverb and delay plugins, and the same settings, make for a lot of mixes that sound the same. They argue that having tracks, routing, processing, and effects set up ahead of time stifles creativity, and is a sign of being a lazy engineer. Some engineers love to hate on templates. ![]() ![]() Templates provide a great foundation for an efficient workflow and we also have some valuable tips to save even more time as you track and get ready for editing and mixing. VMR 2.0 ships with the Mix Bundle One, which contains four Slate Digital processing modules: FG-401 Compressor, FG-S EQ, FG-161 FET Compressor and FG-N EQ.In this article, we’ll focus on workflows that will organize your tracking sessions so that you are more efficient and have more time to spend on the creative process. But even beyond the sound you can get with VMR 2.0, you also get the added bonus of speed and efficiency from having your entire processing chain in one convenient window. Choose from dozens of modules including vintage modeled EQs, compressors, enhancers, filters, preamps, mixing consoles, and more. #Slate virtual mix rack settings could not be saved fullVMR 2.0 allows audio engineers to easily create the channel strips of their dreams using a library full of analog modeled plugins. ![]()
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